The SAT Reading: A Guided Tour
The SAT Reading section doesn’t have a set curriculum. We aren’t expected to have read any of the passages that appear on the test. Our preparation for the Reading section will be less about memorizing specific rules and theorems and more about strategy and sheer practice.
Questions
As mentioned in the Introduction to this section, the reading section employs several common types of questions. These questions need you to use different strategies to answer them correctly.
Overarching Questions
It can be helpful to save questions that ask about the passage as a whole for last. If we start small (the questions that direct us to line numbers or specific paragraphs) and work our way up to these overarching questions, we’ll have a surer footing for these larger questions.
Word in Context Questions
These are the questions (like #3) that ask us for the meaning of a designated word in a specific line. The test writers will often put several equally viable synonyms of the word as answer choices, so it’s very important to go back to the specific line mentioned in the question to get a handle on exactly how the word was being used in that sentence.">
We can check our answer to a word in context question by replacing the word in the original sentence with our answer. If we’ve chosen the correct option, the new sentence we’ve made will have the same meaning as the original one.
Open-Ended Questions
These are the questions (like #4) that ask about a specific part of the passage but don’t direct us to the corresponding lines. Since the questions are usually asked in order, we can start looking for the answer to an open-ended questions where we found the answer to the previous question.
Paired Questions
Every passage will have a set of paired questions or two. One question will ask a question about the passage (like #5), then the next one will ask us for the best evidence to support our answer to that general question (like #6).
It’s best to do these questions together: answer the first question using the lines mentioned in the follow-up question. We can tell that a set of paired questions is coming up because all of the answers to one question will be line numbers (like #6).
The Blue Eyes/Brown Eyes Experiment
In 1968, Iowa school teacher Jane Eliot was moved | |
by the assassination of Martin Luther King Jr. She | |
wanted to teach her elementary school students, | |
line | most of whom came from a relatively homogeneous |
5 | community, about discrimination. Her students knew |
about racial discrimination in an hypothetical way, but | |
Eliot wanted her students to understand how it felt to | |
be the victim of discrimination in a more personal way. | |
10 | With the consent of her students, Ms. Eliot created an |
experiment. She divided her class based on eye color. | |
Blue-eyed children got to sit in the front of the class, | |
were granted extra privileges, given second helpings | |
at lunch, and told that the additional melanin that gave | |
15 | their eyes their color have them better genes overall. |
Brown-eyed students were made to drink at separate | |
water fountains, made to wear brown collars around | |
their necks, and discouraged from playing with the | |
blue-eyed children. | |
20 | After a few days, the blue-eyed children started acting |
superior; the brown-eyed students adopted a | |
resigned passivity. Even their academic performance | |
changed. Blue-eyed students outperformed their | |
brown-eyed classmates on basic tests. Blue-eyed | |
25 | students were so encouraged that they started |
outperforming even Ms. Elliot's most hopeful | |
projections; brown-eyed students were so | |
discouraged that they started laughing behind their | |
own recent marks. The next week Ms. Eliot reversed | |
30 | the experiment (now the brown-eyed students were |
the privileged group), and the results were the same. | |
The participants in the experiment related that they | |
were thoroughly shaken by the first-hand experience | |
35 | of discrimination. They wrote compositions on "How |
Discrimination Feels" detailing their new-found | |
empathy for racial minorities. They unanimously | |
agreed that this was an invaluable experience that | |
provided them a prospective they couldn't have ever | |
40 | accessed by simply reading or hearing about racism. |
After this initial experiment, Eliot was invited to similar | |
exercises at schools and corporations. It would be a | |
tad too much to say that the Blue Eyes/Brown Eyes | |
45 | Experiment instantly cured each of its participants of |
racism forever, but it certainly proved an excellent | |
way to inspire people to think more empathetically. | |
Questions
1.Overall, the author's view of Ms. Elliot's work is:
2. During the experiment, students in the privileged group:
3. As it's used in line 22, the word “resigned” most nearly means:
4. The author mentions the superior academic performance of the blue-eyed children in lines 22-29 to:
5. The participants in the experiment:
6. Which of the choices provides the best evidence for the previous answer?
Let Sleeping Children Lie
Everyone knows the rule of thumb that people need | |
eight hours of sleep a night to be at their best. This is | |
true for most adults, but you may be surprised to | |
line | discover that teenagers actually require quite a bit |
5 | more. The most recent sleep research indicates that |
the average high school student actually needs about | |
nine hours and fifteen minutes of sleep per night. | |
School schedules do not take this bodily requirement | |
for good health into account, and it's harming our | |
10 | children physically and intellectually. At my high |
school, our first bell was at 7:15 am. The average | |
student lived about 15 minutes away. To give a | |
conservative estimate, it takes approximately 30 | |
minutes to wake up, shower, dress, eat breakfast, | |
15 | and be ready for school. This means that the |
absolute latest that the average student could wake | |
up was 6:30 am. In order to get the nine hours and | |
fifteen minutes of sleep recommended by sleep | |
scientists, we would have had to be asleep at 9:15 | |
20 | pm each night. When a person is getting the right |
amount of sleep, it takes him or her 20 minutes to fall | |
asleep. We would've had to be in bed at 8:55 pm. | |
Given homework and extracurricular responsibilities, | |
this was patently impossible. We would've been | |
25 | winding down for the night at 8:30 pm! |
Of course, my school system was unusually cruel, but | |
other schools are almost as bad. Most of the students | |
at my school were basically zombies until 11 am. That | |
was already four full periods into my day. I have no | |
30 | idea how much more I would've learned if I'd been |
operating at— or anywhere close— to full capacity for | |
the first half of the school day. Chronic sleep | |
deprivation is also associated with higher stress | |
levels, blood pressure, and heart issues, along with | |
35 | increased rates of obesity, Attention Deficit Disorder, |
and depression. Who knows what permanent | |
damage we all inflicted on our bodies just to get to | |
school on time. | |
School start times should be pushed back to 10 or 11 | |
40 | am, and extra buses should be provided for students |
who would no longer be able to be dropped off at | |
school by their parents on the way to work. | |
Maybe a cynic would say that American education | |
isn't ultimately about learning. American education | |
45 | isn't designed to help students fall in love with the |
liberating arts of the humanistic tradition; it's trying to | |
train kids to become corporate drones. The | |
regimented, unhealthy schedule is a hallmark of the | |
typical 9-5 job, after all. | |
50 | However, I think that this will come to an end soon |
too. Workers in forward-thinking sectors like the tech | |
world are already allowed to set their own hours. It | |
won't be long before other industries catch up, | |
realizing that a well-rested worker is a more efficient, | |
55 | creative, and happy worker. The sleep revolution is |
coming— let's have our schools lead the way. | |
Questions
1. The main purpose of the passage is to:
2. The author bases his or her argument on:
3. As used in line 13, the word “conservative” most nearly means:
4. One concession to practicality that the author makes is to admit that:
5. Which of the choices provides the best evidence for the previous answer?
6. The purpose of the fifth paragraph (lines 43-49) is to:
Am I a Novelist?
“Suis-je romancier?” | |
This sentence translates into English as “Am I a | |
novelist?” Marcel Proust wrote these quietly | |
line | anguished words in a diary in 1907. They're ironic to |
5 | us now— if Proust wasn't a novelist, then no one |
was. His million-word novel À la recherche du temps | |
perdu (variously translated into English as | |
Remembrance of Things Past or the more literal but | |
less poetic In Search of Lost Time) is a defining work | |
10 | of modern times. His books were populated by a cast |
of dozens of fully-realized characters— Francoise the | |
cook, Robert Saint-Loup the adventurer, Charles the | |
imperious aristocrat, Swann the art collector and | |
romantic obsessive— who still feel like living, real | |
15 | people to readers all these years later. Proust's name |
is mentioned in the same breath as the other masters | |
of the novel form: Tolstoy, Joyce, and Eliot. Perhaps | |
no one else in all of literature has dissected human | |
emotion so deftly. As long as imaginative literature is | |
20 | read and appreciated, Proust will continue to be |
celebrated. | |
We can say all of that now, though, only with the | |
benefit of hindsight. In 1907, “Am I a novelist?” was | |
hardly a settled question for Proust. The then-36 year | |
25 | old Proust had long harbored literary aspirations. |
He'd thought of himself as a writer since | |
adolescence. He had a few translations and | |
magazine pieces this name, but he hadn't written | |
much of substance, nothing that lived up to his lofty | |
30 | artistic standards. |
His life up until then wasn't one of acute failure, of | |
novels rejected by short-sighted publishers or | |
manuscripts thrown into the fire in the heat of | |
passion. His was a life of languid leisure; hours, | |
35 | days, even years slipped by with no great tumult |
aside from the gnawing self-reproach that he wasn't | |
writing the capacious novels of his imagination. | |
By 1908 Proust had written most of what would | |
become Du côté de chez Swann, which would be the | |
40 | first part of his masterpiece. What changed? How did |
the frustrated maybe-novelist of 1907 become the | |
fruitful writer of 1908? Did some great even transpire | |
which changed his entire world and forced him to | |
write about it? Did some change in circumstance | |
45 | finally allow him time to write? Did some lightning bolt |
of inspiration finally strike one night? | |
No. 1908 was not an otherwise eventful year for | |
Proust, he'd always had plenty of time to write, and | |
he'd been accumulating ideas for his novel for a | |
50 | while. The only real change was that Proust started |
writing. He stopped endlessly wondering what was | |
keeping him from writing and just began the novel. | |
Proust found that inspiration didn't make him write; | |
writing made him inspired. It wasn't some stroke of | |
55 | brilliance which made him turn to his manuscripts; |
rather, it was turning to his manuscripts that would | |
invite strokes of brilliance. These were the golden | |
hours of pith and productivity when he would stay up | |
writing in his bed (he always wrote the best in bed) | |
60 | until the small hours of the morning. Proust became a |
novelist once he stopped asking himself whether or | |
not he was one. | |
Questions
1. What is the main point of the passage?
2. Proust asking himself “Am I a novelist?” is ironic to readers now because:
3. Which of the following choices provides the best evidence for the previous question?
4. As it's used in line 31, the word “acute” most nearly means:
5. Proust's life before 1908 was one of:
6. What is the point of the rhetorical questions posed in lines 40-46?
Poet, Playwright, and... Spy?
We don't know anything for sure. Records concerning | |
Christopher Marlowe's life are scant, as they are for | |
all British commoners of the Elizabethan era. When | |
line | Marlowe was an adolescent, no one knew how |
5 | interested posterity would be in his life. Who knew |
that he'd grow up to write Hero and Leander, Doctor | |
Faustus, and Tamburlaine. Who knew that he'd be at | |
the forefront of the birth of British theater and directly | |
influence William Shakespeare. Even the adult | |
10 | Marlowe's biography is riddled with inexplicable |
gaps and frustrating seeming-contradictions. Just as | |
with Shakespeare, our interest far outpaces the | |
amount of information we know for certain. | |
All of that said, there's a lot of evidence pointing to the | |
15 | conclusion that Christopher Marlowe was a spy. The |
theory is that he was recruited while an | |
undergraduate at Cambridge University, one of the | |
main sources of England's covert agents. During the | |
1584-1585 academic year, his college's attendance | |
20 | records show that Marlowe started taking |
exceptionally long foreign vacations. His absences | |
were much longer than those usually allowed by the | |
college, yet he was able to continue at the school and | |
keep his scholarship. At the same time, he began to | |
25 | spend exorbitant amounts on food and drink during |
the increasingly rare occasions when he actually | |
appeared on campus. He spent far more than his | |
relatively modest stipend would have financed. After | |
he graduated, Cambridge was reluctant to grant | |
30 | Marlowe his MA (a formality at the time). For some |
reason, the Queen's government stepped in and | |
made the university grant the degree. | |
A nascent career in espionage would explain his | |
long but excused absences, his extras funds, and the | |
35 | government's interest in his credentials. It would also |
provide a satisfying, if not completely airtight | |
explanation for Marlowe's curiously-timed death. | |
In May of 1593, the 29-year-old Marlowe was | |
arrested, though there was no formal reason for his | |
40 | arrest provided by the authorities. Twelve days later, |
he was found dead in a pub. | |
The official story is that Marlowe got into a fight with | |
another customer, attacked the man with a knife, had | |
the knife turned against him, and sustained an | |
45 | instantly deadly blow. |
The only problem with this version of the event is that | |
it's a rank impossibility. Medical experts have shown | |
that the blow Marlowe reportedly received couldn't | |
have possibly killed him instantly. Was this official | |
50 | account— based solely on the testimony of a slim |
number of supposed eyewitnesses— merely | |
mistaken? Or was it fabricated to cover up for a state | |
murder? Was the man who killed Marlowe swiftly let | |
free by authorities because they genuinely thought | |
55 | he'd acted in self-defense? Or was he released by |
the government because it had actually | |
commissioned the murder in the first place? Was this | death less than two weeks after a mysterious arrest a |
totally random coincidence? Or did the Queen's | |
60 | government realize that Marlowe was somehow |
compromised in his role as a spy and send a hitman | |
to clean up the situation? | |
Questions
1.The author views the theory that Marlowe was a spy as:
2.The author states that there's a lack of documentation about Marlowe's life because:
3.Which choice provides the best evidence for the previous answer?
4.Marlowe received his MA degree:
5.As used in line 47, the word “rank” most nearly means:
6.The author uses “supposed” (line 51), “swiftly” (line 53), and “totally random” (line 59) in order to:
Phrenology
Despite our sometimes-romantic view of the | |
supposedly unceasing forward march of Reason, the | |
progress of scientific knowledge is rarely quite so linear. | |
line | We usually take two steps forward while taking one |
5 | step back. Oftentimes, huge breakthroughs are |
coupled with thoroughly mistaken conclusions. Some | |
ideas that helped to shape the modern world were | |
worked out by scientists whose other hypotheses | |
have long been discredited. Entire fields of inquiry | |
10 | have been revealed to be pseudoscience, but only |
after they formulate one or two theories which | |
become the unshakeable basis for the -ologies of | |
future the future, the sciences that take their place. | |
Phrenology was one such field. Simply put, | |
15 | phrenology was based on the idea that the shape of a |
person’s skull was indicative of his or her personality. | |
The physical attributes of certain modules of the scalp | |
determined one’s capacity for secretiveness, wit, | |
hope, wonder, love of life, etc. One might | |
take a complicated set of measurements of a | |
20 | child’s cranium and predict what type of |
adult the child would grow | |
into. | |
In the 19th century, phrenology was widely popular. | |
As difficult as it might be to imagine today, science | |
25 | lectures were a hugely popular form of entertainment |
for all sectors of society. Theorists such as George | |
Cowler and Luigi Ferravesu were minor celebrities. | |
Phrenology’s adherents ranged from the working | |
class to aristocrats. Queen Victoria and Prince Philip | |
30 | had their children’s heads measured. |
The specific conclusions of the phrenologists have | |
been resoundingly debunked. It turns out that the | |
shape of the skull has little to do with the functioning | |
of the brain underneath it. However, the field | |
35 | inaugurated the systematic study of the connection |
between personality and the brain. Most people had | |
previously supposed that personality, if it was | |
intertwined with any bodily organ, was lodged in the | |
heart. Furthermore, phrenology trained scientists to | |
40 | study the brain with objective, third-person, physical |
techniques, rather than the subjective introspective | |
methods that scientists had previously thought | |
sufficient. Finally, phrenologist nudged further | |
researchers towards the idea that different parts of | |
45 | the brain were related to specific, localized functions. |
Though phrenology is the butt of jokes today— | |
perhaps most famously, nonagenarian C. | |
Montgomery Burns is an adherent of phrenology on | |
The Simpsons— these three insights have formed the | |
50 | bedrock of decades of psychological and neurological |
research. One is led to wonder which of the fields of | |
study that are widely popular today will be looked | |
back upon with derision in 150 years after new | |
findings enabled by technological progress provides | |
55 | access to evidence that renders our current theories |
obsolete, even laughable. On the other hand, what | |
will be the few, momentous insights that survive our | |
generation and shape the science of the future? | |
Questions
1. The author’s view of phrenology can be best described as:
2. The main purpose of the first paragraph (lines 1-13) is to:
3. As used in line 1, “romantic” most nearly means:
4. According to the passage, phrenology:
5. Which choice provides the best evidence for the previous answer?
6. According to the passage, contemporary science:
The Longshoreman Philosopher
Few intellectuals' live lives as interesting as the topics | |
they study and write about. Academics, by and large, | |
live quietly, pleasantly productive lives. | |
line | |
5 | That's not the case for Eric Hoffer. His life story is as |
much of a page turner as his well-regarded books. | |
Born in the Bronx to recent German immigrants, | |
Hoffer grew up among the working poor. Tragedy | |
struck early and often in his life. When Hoffer was a | |
10 | child, his mother was carrying him from a bath when |
she fell. She died from complications of her injuries. | |
He lost his sight and, for a very short time, his | |
memory. His father would pass a few years later. | |
15 | Then, a miracle happened: when Hoffer was 15, his |
vision suddenly returned. Doctors couldn't explain | |
why. Hungry for books after a childhood without then | |
(Braille books weren't available to him) and afraid that | |
he could lose his sight again at any moment, he | |
20 | became a voracious reader. It turns out that Hoffer's |
recovered eyesight was permanent; his appetite for | |
books was too. | |
Lacking a formal education or a familial safety net, | |
25 | Hoffer was reduced to living in Skid Row and working |
odd jobs. He spent years as a migrant farmer. | |
Everywhere he went, he got a library card. He started | |
writing extensively in book notebooks; these jottings | |
eventually took the shape of his first book, The True | |
30 | Believer. Published in the wake of World War II and |
the various revolutions that preceded and precipitated | |
it, The True Believer is a study of mass movements | |
like— the Nazi uprising, the Bolshevik Revolution, the | |
French Revolution, etc.— and the people drawn to | |
35 | them. Hoffer didn't write from the perch of a detached |
observer. Hoffer wrote from the perspective of the | |
underclass, which peoples mass movements. | |
The True Believer was an instant classic of sociology, | |
40 | and it enabled Hoffer to keep publishing. Notable later |
works include The Ordeal of Change (which Hoffer | |
himself cited as his most important work) and | |
Reflections on the Human Condition. His work won | |
him acclaim both inside of academia and outside it, | |
45 | but Hoffer kept his day job as a longshoreman |
throughout his rise to acclaim. Scribbling aphorisms | |
into notebooks during breaks from work on the docks | |
of California's coast, Hoffer became known as the | |
“longshoreman philosopher.” |
Questions
1. What is the overall structure of the passage?
2. According to the author of the passage, most intellectuals’ lives are:
3. As used in line 23, the word “odd” most nearly means:
4. One thing that set The True Believer apart from other works of history and sociology is its:
5. Which choice provides the best evidence for the previous answer?
6. The final paragraph (lines 35-45) relates that:
Fund the Metro!
The state of public transportation in the city of Los | |
Angeles is frankly unacceptable. The Metro System's | |
buses are few and far between— we have to show up | |
line | to our stops ten minutes early just to make sure that |
5 | we arrive at our destinations no more than ten |
minutes late. There are delay delays on every line in | |
every direction, delays that have become so common | |
that they go unexplained, apologized for, and | |
unremarked upon. The trains are, somehow, worse. | |
10 | They have the same utterly unpredictable schedule |
and run so infrequently that missing a train by 20 | |
seconds usually means we have to wait 20 minutes | |
for the next one. Train stations are so sparse that one | |
stop typically serves a radius of several miles. We | |
15 | almost always have to connect from a train to a bus |
to actually get anywhere close to our final destination. | |
It doesn't have to be this way. Other cities with even | |
larger populations have public transportation systems | |
that blow LA's away. Tokyo has a population four | |
20 | times the size of LA's, but their rail system is |
impeccable. A bullet train company recently issued an | |
apology to its commuters when a train departed | |
twenty seconds early. In Tokyo, this is an occasion for | |
heartfelt mea culpas; in LA… well, who knows how | |
25 | LA would handle this?! None of its trains are ever |
even close to being on time (let alone actually on time, | |
let alone slightly early). | |
LA needs to appropriate more funds for public | |
transportation. The typical argument against | |
30 | transportation funding is that everyone in LA just |
drives everywhere anyways. This type of reasoning | |
just gets us into a vicious cycle: we don't find buses | |
or trains, so everyone drives, so we spend even less | |
on buses and trains, so even more people have to | |
35 | drive, etc. It's not as if the roads are in great shape |
either. They were built decades ago for a population a | |
fraction of the size of our city currently. Our roads are | |
world-famous for potholes and endless traffic. | |
However, the city is never going to be able to fix the | |
40 | roads or add extra lanes because the construction |
would make the city literally unnavigable. Even if we | |
woke up tomorrow and all the roads were suddenly | |
perfect, the burden of constant congestion means | |
we'd just have to fix them again in a few years. | |
45 | Investing the public transportation is a much |
longer-term solution. | |
Increasing funding to the Metro might seem like a | |
waste of money to the city's car-bound taxpayers, but | |
it will actually save money in the long run. If we can | |
50 | make riding the bus or train a reliable, cheap, and |
convenient alternative to driving, we'll save millions of | |
dollars on construction costs. We'll also take a large | |
bite out of the city's traffic nightmare, saving citizens | |
countless wasted hours and immeasurable emotional | |
55 | distress from being trapped in the highways. It's time |
for Los Angeles to become a modern, first-world | |
city— it's time to finally find the Metro. | |
Questions
1. The passage is written from the perspective of:
2. As it's used in line 2, the phrase “frankly unacceptable” means:
3. The first paragraph (lines 1-16) serves to:
4. As it’s used in line 28, “appropriate” means:
5. The author views LA's roads as:
6. Which choice provides the best evidence for the question above?
The Creation and Destruction of the Globe
In the late 1592, Lord Chamberlain's Men found | |
themselves in a seemingly intractable situation. The | |
theatre company— whose in-house playwright was | |
line | William Shakespeare— was in a long-running dispute |
5 | with its landlord. He was constantly trying to raise the |
rent on the increasingly successful troupe. It seemed | |
as if he had them in a vice: though Lord | |
Chamberlain's Men owned the wooden theater | |
building itself, he owned the land on which it was | |
10 | situated. If they stayed, they'd have to pay exorbitant |
rent. If they left and started performing elsewhere, | |
they'd throw away all the money they'd spent on the | |
building. | |
The owners of the company can up with an | |
15 | ingenious fix. On December 29, 1598— two days |
before they would be forced to re-up their lease— | |
they hired a dozen workmen to dismantle the theater | |
in the dead of night. They took the theater apart | |
beam-by-beam and scurried it across the frozen | |
20 | Thames River to a new plot of land they'd purchased |
in secret. It was a farce for a play— just imagine a | |
restless Londoner trying to cure a bout of insomnia | |
with a midnight stroll only to stumble upon a pack of | |
men ferrying an entire theater across the river! | |
25 | The crew set about rebuilding the theater in its new |
location. The new performance space, audaciously | |
named The Globe after it's circular design, took | |
months to finish. During this minor creative | |
sabbatical, Shakespeare conceived of As You Like It | |
30 | and Julius Caesar, two of his finest accomplishments. |
When The Globe finally opened in the middle of 1599, | |
he was starting to figure out his next blockbuster: | |
Hamlet. One could say this time off was rather fruitful | |
for Shakespeare. | |
35 | The theater would stand in its new location for 14 |
years, playing host to the opening performances of | |
such timeless plays as Twelfth Night, Othello, | |
Macbeth, Antony & Cleopatra, King Lear, and The | |
Tempest. However, the theater was destroyed in a | |
40 | fire started at the neighboring Blackfriars Theater in |
1613. Just as the building of The Globe was | |
concurrent with the heights of Shakespeare's | |
writing, the destruction of the theater preceded the | |
end of his theatrical career. The hassle of having to | |
45 | rebuild the troupe's primary performance space |
almost certainly played a role in Shakespeare's early | |
retirement that year at the age of 49. | |
Questions
1. The primary purpose of the passage is to:
2. As used in line 7, the word “vice” most nearly means:
3. The time that it took to build The Globe in 1599:
4. In the third paragraph (lines 25-34), the author states that the new theater's name was inspired by:
5. According to the passage, the destruction of The Globe:
6. Which of the following choices provides the best evidence for the previous answer?
Postcards from 100 Boots
The art world of the 1960s was dominated by Pop Art. | |
Andy Warhol was printing screens of Campbell Soup | |
cans. Roy Lichtenstein was recreating scenes from | |
line | comic books and soapy pulp fiction. Jasper Johns was |
5 | putting together iconographic works centered around |
archetypal American images. The work was broadly | |
accessible. It was commenting on mass consumption, | |
sure, but it was also itself designed for mass | |
consumption. | |
10 | Then came minimalism and Eleanor Antin. Pop Art |
was the much-needed antidote to the extremes of the | |
obscure Abstract Expressionism of the 50s; | |
minimalism was the much-needed antidote to the | |
extremes of the commercial Pop Art of the 60s. If | |
15 | Andy Warhol was the elixir to Mark Rothko, Eleanor |
Antin was the elixir to Warhol. | |
Anton's conceptual art projects were deliberately | |
uncommercial, personal, and hard-to-find. One of her | |
earliest projects was called Blood of the Poet Box. | |
20 | Inspired by Jean Cocteau's Blood of the Poet, Antin |
collected physical samples of the blood of poets she | |
admired, preserved on microscopic slides. Her | |
collection included samples from era-defining talents | |
like Allen Ginsberg and Lawrence Ferlingetti, eminent | |
25 | members of the Beat Generation. This work was at |
once highly personal (is there anything more personal | |
than an individual's blood?), truly avant-garde, and | |
utterly unreproducible (that is, unless one was willing | |
to find and extract blood from the 100 participants in | |
30 | Anton's original project). |
Around the same time, Antin started a project called | |
Carving a Traditional Sculpture, a name which belied | |
the delightful peculiarity of the work. In 1968, Antin | |
started taking pictures of herself as she underwent a | |
35 | harsh diet regimen. The pictures document her |
gradual weight loss and muscle gain. The 148 photos | |
were personal (she was literally the object d'art) | |
without being mawkishly sentimental, playful and yet | |
pointed at the same time. In a related work from 1972 | |
40 | known as The Eight Temptations, Antin captures |
herself confronted by an onslaught of delicious foods | |
which would have destroyed her diet had she not | |
(mock-) heroically fended them off. | |
Perhaps Antin's most well-known work from this | |
45 | especially productive period was 100 Boots. Shopping |
at a thrift store one day in 1971, Antin purchased 100 | |
tall, plastic boots. Over the next two years, she | |
proceeded to photograph the boots arranged in | |
various formations on a journey from the Pacific Coast | |
50 | to New York City. She captured the boots marching |
single-file past a family of ducks walking one-by-one | |
in the opposite direction. She documented a | |
particularly playful afternoon in which the boots turned | |
an abandoned car into a makeshift jungle gym. She | |
55 | even discovered the boots taking in high culture, |
arrayed in a semi-circle around Marcel DuChamp's | |
The Treachery of Images, a painting of a pipe | |
ironically subtitled “This is not a pipe.” Antin, of | |
course, gave her picture of the boots’ visit the subtitle | |
60 | “This is not 100 boots.” |
Although the they always pictured in black-and-white | |
and are completely unadorned, the 100 boots seem | |
to take on different moods depending on the scenario. | |
Passing the ducks, they appear energetic and | |
65 | buoyant. Climbing about the abandoned two-door |
sedan, they're indulging in childlike, anarchic fun. | |
Aligned in front of the DuChamp, they're unusually | |
reverent. | |
Antin's distribution of the pictures is just as | |
70 | idiosyncratic as the art itself. She copied the photos |
and sent them to specially-chosen recipients as | |
“postcards” every few days. | |
Antin's work, however, was too compelling and | |
inventive to stay invitation-only for long. 100 Boots is | |
75 | exhibited at the Museum of Modern Art in New York |
City. Much of Antin's other work is in the collection at | |
the Tate Museum in London. Even though it is no | |
longer exclusively available to those on Antin's mailing | |
list, these works maintain the good-humored | |
80 | experimentalism that made them so distinctive in the |
first place. | |
Questions
1. The main purpose of the passage is to:
2. Lines 2-6 ("Andy… images.") serve to:
3. In the passage, Mark Rothko was associated with which artistic movement?
4. Antin's work can be described as:
5. Which of the choices provides the best evidence for the previous answer?
6. Starting with the third paragraph (lines 17-30) the passage transitions from:
7. The title of Carving a Traditional Sculpture is ironic because:
8. As used in line 39, “pointed” most nearly means:
9. How frequently did Antin send “postcards” from the 100 boots?
10. As used in line 73, “compelling” most nearly means:
11. The main purpose of the final paragraph (lines 73-81) is to:
The Stanford Prison Experiment
Sometimes, the most significant scientific discoveries | |
come from studies that are ethically dubious. This is | |
especially true of the social sciences, where the | |
subjects at hand are typically humans themselves. | |
line | |
5 | The Stanford Prison Experiment is a landmark of |
social psychology. It gave psychologists invaluable | |
insights into group dynamics and the roots of | |
authoritarian tendencies. It was also a monumental | |
example of ethical malpractice. | |
10 | The 1971 experiment was founded by the US Navy, |
who wanted to find out why relationships between | |
guards and prisoners in naval prisons frequently | |
turned counter-productively hostile, despite constant | |
attempts at reform. They turned to Philip Zimbardo, a | |
15 | leading social psychologist at Stanford University. He |
set up a makeshift “prison” in the basement of the | |
school's psychology department building. He | |
recruited 24 students and local residents to fill his | |
prison. Half of the participants were randomly | |
20 | assigned to be guards; the other half were prisoners. |
Zimbardo and his team of researchers tried to | |
approximate the conditions of a real prison as much | |
as possible. Guards attended a special orientation | |
before the experiment commenced. They were given | |
25 | batons and reflective eyewear (to block eye contact |
between guards and prisoners). Guards were | |
instructed to exclusively call prisoners by numbers | |
assigned to them upon entry. While physical force | |
was forbidden, the guards were instructed to instill a | |
30 | sense of fear and lack of privacy in their wards. |
Attempts at verisimilitude were even stricter for the | |
prisoners. To put them into the mindset of real | |
convicts, prisoners were arrested by local policemen, | |
taken from their residences, and processed just like | |
35 | actual felons. While the guards had access to |
recreation and we're allowed to leave the grounds | |
during the study, the prisoners were restricted to their | |
basement cells. Each cell contained three people, | |
who were allotted just a small, uncomfortable cot. | |
40 | There were no private bathrooms. |
Within two days, the prisoners were in open revolt. | |
One cell of inmates barricaded itself in its room. One | |
prisoner had a nervous breakdown so severe he was | |
allowed to leave the experiment after only 36 hours. | |
45 | The wards, who were working in shifts of three, tried |
to quell the unrest. They separated out those | |
prisoners who has remained docile and rewarded | |
them with extra benefits, such as nicer meals. Others | |
who were not so easily broken were placed in | |
50 | “solitary confinement” inside a small closet. |
Tensions escalated. Guards began punishing | |
increasingly petty misdeeds, such as flubbing the | |
prison roll call. Prisoners were threatened with a fire | |
hose and punished by not being allowed to empty the | |
55 | trash bags they were forced to use as restrooms. |
The experiment was planned to last two weeks; they | |
made it six days. The study was ended abruptly when | |
Christine Malachi, a graduate research assistant who | |
came to interview the participants, confronted | |
60 | Zimbardo about the grisly conditions. It should be |
noted that more than 50 observers had already taken | |
part in the study, and none of the others had | |
challenged Zimbardo's methods. Commenting on her | |
sense of guilt at having taken part in the study, | |
65 | Malachi said, “I was sick to my stomach. When it's |
happening to you, it doesn't feel heroic. It feels real | |
scary; it feels like you are a deviant.” | |
The results of the study indicate that both prisoner | |
and guard mentalities were more situational than | |
70 | dispositional. They're part of the prison environment |
itself. Hostilities didn't arise because prisoners were | |
lawless felons or guards were born sadists. Both | |
groups had been drawn from an affluent, law-abiding | |
population. It only took six days for the process of | |
75 | deindividuation to take hold. By the end of the study, |
prisoners were asking to be “paroled” (allowed to | |
leave the experiment, forfeiting their back pay) when | |
they could’ve simply quit and left of their own accord. | |
They were so ingrained in their role that they’d started | |
80 | to think of themselves as inmates, forgetting that they |
were still free people. If this process could take hold | |
for prisoners and guards in a fake prison in less than | |
a week, it seems reasonable to conclude that the | |
same thing was causing the hostilities in real prisons. | |
85 | It wasn't that prisoners and guards necessarily had |
personalities that led to conflict; it seems like the | |
prison situation itself causes conflict. | |
The Stanford Prison Experiment has inspired films, | |
documentaries, and short stories, all of which | |
90 | broadcast the study's important findings while also |
highlighting the obviously inhumane way in which | |
they were uncovered. While it certainly doesn't hold | |
up to today's ethical standards, the experiment has | |
led to some much-needed reforms of the prison | |
95 | system. The study has led to changes to the ways |
that prisoners are houses and guards are trained, and | |
it has led to an emphasis on rehabilitating prisoners, | |
rather than merely punishing them. | |
Questions
1. The main purpose of the passage is to:
2. Overall, the author’s view of the Stanford Prison Experiment can be best described as:
3. As it’s used in line 2, “dubious” most nearly means:
4. How many of the participants were assigned to be prisoners?
5. As it’s used in line 22, “approximate” most nearly means:
6. In the sixth paragraph (lines 41-44), the passage transitions from:
7. Why was the Stanford Prison Experiment finally called off?
8. What is the difference between a situational attribute and a dispositional one?
9. Which of the choices provides the best evidence for the previous answer?
10.According to the passage, the process of deindividuation is:
11. Which choice provides the best evidence for the previous answer?
Connie “The Hawk” Hawkins
There are few stories in the world of sport that are | |
more galling than the injustice committed against | |
Connie Hawkins. Hawkins was a basketball player | |
line | who grew up in desperate poverty in the |
5 | Bedford-Stuyvesant neighborhood of Brooklyn. |
Hawkins was undereducated and undernourished; | |
when he wasn't on the court, Hawkins was known for | |
napping constantly because of a lack of energy from | |
not having enough to eat. | |
10 | Hawkins's story starts out on a familiar trajectory: a |
sudden growth spurt matched with the gradual | |
refinement of his natural talents gave him the | |
opportunity to escape the cycle of poverty he would | |
have otherwise likely been caught in. He became a | |
15 | legend at Rucker Park, the stories Harlem court |
where all-time greats such as Wilt Chamberlain, | |
Kareem Abdul-Jabbar, and Julius Erving established | |
their reputations. “The Hawk” stood out for the | |
subtleties of his style. Most players from New York— | |
20 | where asphalt courts, unforgiving outdoor rims, and |
frequent inclement weather forbade finesse— were | |
known for their sheer speed and strength. Hawkins's | |
game, however, was based in slick deception. Instead | |
of trying to speed past defenders or push through | |
25 | them, Hawkins went around them. He would fake |
defenders out so thoroughly they were turned around | |
the wrong way as he scored easily. | |
The Hawk was recruited to the University of Iowa for | |
collegiate ball. This is where his trouble started. | |
30 | Hawkins once borrowed $200 to cover school |
expenses from Jack Molinas, a New York attorney | |
with connections to the basketball world. Even in the | |
1960s, the NCAA's regulation of benefits accorded to | |
student athletes was outlandishly harsh, making | |
35 | poorer students resort to desperate financial |
arrangements like this. As soon as the Hawkins | |
family was able to repay the loan, they did. | |
Later that year, Molinas was implicated in a gambling | |
scandal. Hawkins hadn't taken part in the | |
40 | point-shaving scheme. He had an airtight alibi— |
since he was a freshman, he wasn't even allowed to | |
play in the varsity games that gamblers were betting | |
on. He was never arrested for charged with any | |
wrongdoing stemming from the investigation (an | |
45 | investigation during which, it ought to be noted, |
Hawkins was not allowed legal counsel). | |
Nevertheless, Hawkins was too notable to fly under | |
the radar. He was summarily expelled from Iowa, | |
blacklisted from all major collegiate programs, and | |
50 | banned from the National Basketball Association |
(NBA). | |
With nowhere else to play his trade, Hawkins turned | |
in stints with independent teams and alternate | |
basketball leagues. He played for the Harlem | |
55 | Globetrotters and various teams in the American |
Basketball League (ABL) and the American | |
Basketball Association (ABA). He was still | |
dominant— he was recognized as the Most Valuable | |
Player (MVP) of both the ABL and ABA during his | |
60 | tenures there. When he led the Pittsburgh Pipers to |
the ABA Championship in 1968, he was awarded | |
Playoffs MVP. | |
Finally, the NBA came to its senses— well, they were | |
forced to come to their senses. An incendiary | |
65 | magazine profile and ensuing book by David Wolf |
excoriating the outrageous treatment of Connie | |
Hawkins brought his case national attention. The | |
NBA settled the lawsuit that Hawkins had brought | |
against them, paying him $1.2 million and allowing | |
70 | him to enter the player draft. |
Hawkins was signed by the Phoenix Suns. He was an | |
instant hit. In his first season, he led the Suns to the | |
brink of a world championship, only losing in the | |
playoffs to the eventual champion Los Angeles | |
75 | Lakers. The seven-game series, in which Hawkins |
played all-time great Wilt Chamberlain to a draw, is | |
still known as one of the closest, most dramatically | |
compelling playoff series in league history. He was | |
perennially selected to the All-Star team of the | |
80 | league's best players and was inducted into the Hall |
of Fame after his retirement. | |
Still, it's hard not to imagine what might have been. | |
Hawkins spent his physical peak in fringe leagues. He | |
was denied the typical player development afforded | |
85 | to collegiate and NBA players and had his talents |
atrophy against inferior competition. Even so, he was | |
able to become one of the NBA's absolute best | |
players. Who knows how good The Hawk could have | |
been if he'd been able to train with and test his mettle | |
90 | against the best? |
Questions
1. The author's attitude towards Hawkins is best described as:
2. As it's used in line 2, the word “galling” most nearly means:
3. Hawkins's playing style can be best described as:
4. Which choice provides the best evidence for the previous answer?
5. In the third paragraph (lines 28-37), the passage transitions from a brief sketch of Hawkins's childhood to:
6. As it’s used in line 48, the word “summarily” most nearly means:
7. Which of the following is the most effective piece of evidence supporting Hawkins's innocence:
8. Why did the NBA eventually let Connie Hawkins into the league?
9. Which choice provides the best evidence for the previous answer?
10. As they are presented in the passage, the ABA and ABL were:
11. The main purpose of the final paragraph (lines 81-89) is to:
Civic Engagement
Passage 1 | |
Civic engagement is a privilege. Throughout the entire | |
history of humankind, only a vanishingly tiny | |
percentage of people been able to have any say in | |
line | politics. For so much of human history, kings, queens, |
5 | tyrants and their loyal lackeys have ruled over |
thousands of people who weren't allowed to question | |
or criticize the leadership. Even previous experiments | |
with democracy restricted enfranchisement so much | |
that they were essentially oligarchies run by | |
10 | wealthy— usually strictly male— property owners. |
Hence, we should be grateful as we wait in line at our | |
polling centers. It might be easy to take voting for | |
granted nowadays, but the right to vote was only | |
granted to every American citizen less than a century | |
15 | ago. Sure, you and all of your neighbors and family |
and friends can vote, but you're part of a very | |
exclusive club, historically speaking. | |
Voting is a privilege, but it's also a duty. By the nature | |
of American democracy, there is, indeed, about a fifty | |
20 | percent chance that your preferred candidate is going |
to lose any specific election. That likelihood of defeat | |
rises if you support a third-party ticket. However, duty | |
isn't about an end result. Duty isn't about you getting | |
what you want out of the system. It's not about you or | |
25 | your team winning. Duty is about the action itself. We |
have an obligation to give our feedback about the way | |
the country is going. If no one gave our elected | |
officials any input on the way things were actually | |
going in America, they'd have only the vaguest, most | |
30 | academic sense of how their policies are affecting |
real people. | |
Voting can be frustrating. Even if you candidate wins, | |
he or she will probably still disappoint. It might take | |
years and years to make change, even change that | |
35 | people universally want. It is nothing less than our job |
to help steer that ship of state. That job is a rare honor | |
and a welcome obligation. | |
Passage 2 | |
Voting is a sheer waste of time and mental energy. In | |
a country with more than 300 million citizens, each | |
40 | individual vote is mathematically meaningless. It is |
impossible for one person's vote to have any sway in | |
a presidential election. | |
Sometimes, supporters of civic engagement reference | |
unusually close elections, citing, say, the fact that if | |
45 | just one vote in every precinct in Illinois had changed |
from John Kennedy to Richard Nixon, Nixon would've | |
won the election in 1960. That number might | |
encourage you… if you somehow got control of the | |
votes in hundreds of Illinois precincts. Even in this | |
50 | anomalously close election, one single Illinois vote |
was still without real import. Voters spend election day | |
waiting in line for their chance to fill up a wooden box | |
with a slip of paper that will have no effect on | |
anything. | |
55 | Commentators bemoan the ignorance of the citizenry, |
even— or especially— those who vote. I understand | |
this ignorance. In fact, I celebrate it. If you're the sole | |
person making a decision that directly affects you and | |
the people you care about, it makes a lot of sense to | |
60 | be as informed as possible. If, say, you were given |
the responsibility of choosing your family's next car, | |
you would want to do plenty of research on which | |
makes and models are safest, most durable, and | |
most cost-effective. It's reasonable to put in some | |
65 | elbow grease: the decision is all yours. If you're more |
knowledgeable, you'll make a better decision. | |
Now, let's imagine that a committee of 1,000 people | |
was going to decide your family's next car purchase. | |
In that case, it doesn't make sense for you to put in as | |
70 | much work. Your effort is no longer all that directly tied |
to the outcome of the decision. Chances are, your | |
level of knowledge on the issue won't have much of | |
an impact on the final outcome. | |
Voting in a presidential election is like having a | |
75 | committee of 100,000,000 people choose the next |
chief executive. No matter how informed you are, the | |
outcome of the vote is going to be the same. It doesn't | |
make sense to waste your mental energy becoming | |
knowledgeable on the issues when that knowledge | |
80 | won't pay off in a smarter decision. |
I invite my fellow Americans to sit out the next | |
presidential election. If you absolutely must vote | |
(perhaps you need an excuse to miss hours of work | |
that Tuesday or you're addicted to collecting “I voted!” | |
85 | stickers), then I beg of you to at least not waste your |
time becoming an informed voter. | |
Questions
1. What is the meaning of the word “lackeys” in line 5?
2. The author of Passage 1 likely respond to the argument presented in lines 38-42 of Passage 2 by...
3. Which choice provides the best evidence for the above question?
4. The author of Passage 1 mentions voters who support third-party candidates in order to:
5. As used in line 41, “sway” most nearly means:
6. The author of Passage 2 characterizes voting as:
7. Which choice provides the best evidence for the previous answer?
8. In the context of Passage 2, the purpose of lines 57-64 (“If… decision.”) is to:
9. How would the author of Passage 2 most likely respond to the information presented in the graph?
10. What is the relationship between Passage 1 and Passage 2?
11. What is one point that the authors of Passage 1 and 2 agree on?
Collegiate Athletics
Passage 1 | |
The National Collegiate Athletics Association (NCAA) | |
is an inherently corrupt institution. It brings in billions | |
of dollars a year in ticket sales, TV revenue, and | |
line | business sponsorships. None of that money goes to |
5 | players— you know, the entire reason people buy |
those tickets and tune into games— who are working | |
a full-time job on top of attending school. The NCAA | |
is an outmoded system of minor league athletics | |
designed before sports became a billion-dollar | |
10 | industry; it's maintained now so that all of those |
dollars can flow to those at the top. Executives, | |
athletics directors, coaches, and administrators are | |
millionaires; some players can’t afford food. | |
The NCAA's moralistic rhetoric about preparing its | |
15 | “scholar athletes” for their lives beyond athletics is |
merely a justification for cheating teenagers into | |
providing the NCAA with free labor. The “education” | |
that athletes are supposed to be grateful to receive is | |
usually little more than training in how to skirt the | |
20 | rules; comically easy course loads, “tutors” who just |
do athletes work for them, and fluff majors are | |
unlikely to open up “scholar-athletes” to the liberating | |
wisdom of the ancient humanistic tradition. Athletes | |
may receive a diploma, but they rarely receive an | |
25 | education. |
In other nations, teenaged basketball or soccer | |
players who are trying to eventually go pro join minor | |
leagues teams where they get paid and are enabled | |
to focus on their craft. If they get hurt or fail to make it | |
30 | as professionals, they can then attend further |
schooling (when they have the time to actually give | |
education their full attention). This sort of system | |
should be our goal. Of course, we couldn't bring that | |
about tomorrow, even if we followed the most | |
35 | aggressive reform proposals. We could, however, |
start the ball rolling by easing the rules on the | |
material benefits available to players (rules which | |
every major athletics program already breaks), | |
allowing student athletes to unionize (just as their | |
40 | professional counterparts are allowed to unionize), |
loosening the education requirements applied to | |
college athletes, and enabling athletes to make | |
money off of sponsorships and the use of their names | |
on jerseys and their images in commercials and video | |
45 | games. |
Passage 2 | |
In 1979, when Ralph Sampson was recruited to play | |
basketball for the University of Virginia (UVA), he was | |
unable to read. By the time he left for the National | |
Basketball Association (NBA), he could. Without the | |
50 | NCAA rules about attending classes while taking part |
in college athletics, he might have lived his entire life | |
an illiterate. | |
The NCAA is imperfect, to be sure, but it is worthy of | |
reform. The way to fix college athletics isn't the | |
55 | replacement of the NCAA's guidelines for athletics |
but, rather, stricter enforcement of those rules. | |
Instead of getting rid of the requirement that | |
teenagers go to school while pursuing athletics, we | |
should replace the admittedly phony curriculum | |
60 | followed by most athletes in high-revenue programs |
at major schools with better educational guidelines. | |
We should make athletes challenge themselves like | |
Ralph Sampson did. | |
The money that the NCAA brings in is a sign of | |
65 | health. It's an indicator of the value of tradition. |
People spend thousands of dollars flying to college | |
football bowl games because of their histories with | |
the schools involved. Business slows to a halt during | |
the first weekend of the men's basketball tournament | |
70 | (March Madness) because everyone knows that it's |
the most exciting four days of basketball every year. | |
The players benefit from this tradition. There's no way | |
that Steph Curry, who barely received any recruiting | |
attention during high school, would have found | |
75 | himself drafted in the first round of the NBA draft if |
viewers nationwide hadn't seen him lead lowly | |
Davidson College on a run to the 2008 quarterfinals. | |
Even if we were able to snap our fingers and | |
magically replace collegiate athletics with a minor | |
80 | league system tomorrow, it wouldn't have the |
sentimental pull within our collective imagination to | |
allow for a Cinderella story like that. | |
Questions
1. What does the author of Passage 1 argue about the historical roots of the NCAA?
2. As it's used in line 14, “moralistic” most nearly means:
3. The author of Passage 1 put quotation marks around “education” in line 17 in order to:
4. As it's used in line 19, “skirt” most nearly means:
5. The reference to the “liberating wisdom of the ancient humanistic tradition” in lines 22-23 serves to:
6. How would the author of Passage 1 likely respond to the anecdote presented in the first paragraph (lines 46-52) of Passage 2?
7. What is the relationship between Passage 1 and 2?
8. How would the author of Passage 2 likely respond to the suggestions made in lines 35-45 (“We could… video games.”)?
9. Which choice provides the best evidence for the previous answer?
10. The final paragraph of Passage 2 (lines 72-82) serves to:
11. How would the author of Passage 2 most likely respond to the information presented in the graph following the passages?
12. The authors of both passages agree that:
Which Glove Do You Like Best?
Epistemology is the study of knowledge. How do we | |
know what we know? What do know for certain? | |
Epistemology is often a good source of humility | |
line | humans, it turns out, don’t know very much with |
5 | absolute, undeniable objectivity. Even perception is |
dubitable. Things in the natural world are inevitably | |
filtered through our (limited) senses. We have | |
mountains of evidence that the brain is not a neutral | |
observer of the world around it; perception is not | |
10 | some transparent glass through which we see, hear, |
taste, touch, and smell things are they really are. | |
Perception is an imperfect mirror with countless, | |
sometimes surprising, warbles. Our brains edit and | |
consolidate information. We perceive the present in a | |
15 | biased way, and our memories of the past get fudged |
even more. | |
Okay, fine. Our brains aren’t perfect, disinterested | |
recorders of the outside world. We can’t know that | |
much about the external world for sure. We can, at | |
20 | least, know what’s going on inside of our own minds, |
if nothing else? Our brains can at least tell us about | |
what’s going on in our brains, right? | |
Well, recent studies are showing that even that might | |
not be the case. First-person introspection, the act of | |
25 | a person scanning his or her own brain to see what |
going on in there, might not be as unquestionable as | |
once thought. | |
An experiment was completed in which four red | |
gloves were lined up on a table. Participants were | |
30 | simply asked to choose whichever glove they liked |
best and then explain their choice. A comfortable | |
majority chose the glove on the far right. They | |
explained that this glove was the most attractive to | |
them because it was the softest or the most colorful | |
35 | or the most well-hemmed. |
All of the gloves, however, were exactly the same: | |
none of the gloves was softer or more or more neatly | |
sewn. The implication was that they simply chose the | |
glove on the far right because of some | |
40 | unacknowledged bias towards the right. After all, this |
was a random sample of the population, so most of | |
the participants would have been right-handed. | |
Why did none of the participants attribute their choice | |
correctly? It seems as if they chose a glove, then | |
45 | reverse-engineered a logical reason for preferring it |
to the other only after the fact. They chose their | |
favorite glove, then explained that choice to | |
themselves incorrectly. No one can really say | |
whether or not their first order thinking (“I like the | |
glove on the right the best…”) was flawed, but it | |
50 | certainly appears like their second order thinking |
(“... because it was the softest.”) was fictionalized. | |
The discovery that we might not know why we like the | |
things we like or why we chose the things we chose | |
opens a bunch of interesting avenues of inquiry in the | |
55 | fields of psychology, philosophy, literature, politics, |
economics, sociology— pretty much every single topic | |
related to human behavior. This study is | |
begging for follow-up experiments. For example, it | |
would be interesting to know how participants in this | |
60 | or a similar study might react to being informed of |
their mistakes. The human brain is famous for its | |
adaptability: maybe participants could learn to | |
interrogate their thoughts processes more carefully? | |
Hopefully, epistemologists are inspired to jump down | |
65 | this and countless similar rabbit holes. Maybe we’ll |
come to know about more fields of knowledge we | |
can’t put out faith in. |
Questions
1. What is the main point of this passage?
2. The author sees the human brain as:
3. Which choice provides the best evidence for the answer to the previous question?
4. As used in line 15, “fudged” most nearly means:
5. The writer uses the phrase “Okay, fine” in line 17 to:
6. As used in line 31, “comfortable” most nearly means:
7. According to the author, participants misattributed the reasons behind their glove preferences because they:
8. Which choice provides the best evidence for the answer to the previous question?
9. Which of the following would constitute a second order, introspective thought?
10. The author reacts to the findings in the study with:
11. The main point of the final paragraph (lines 53-69) is to:
Every Virginia Woolf fanatic has his or her own favorite Woolf book. In high school, my favorite was Mrs. Dalloway. As I get older, however, the book I find myself returning to most frequently is The Waves.
[A] The Waves is not Woolf's most well-known book. [B] Her earlier novels— particularly Dalloway and [1] To the Lighthouse, have become classics of the form. [C] The Waves has failed to find an audience, perhaps, because it pushed beyond the parameters of the novel. [D] It’s so experimental that Woolf invented a new term to describe this [2] work: “playpoem.” [E] These two books certainly push the boundaries of form, but they’re still operating in the tradition of the novel. [3]
[4] Known for her lush, poetic descriptions of the everyday, the book doesn’t contain traditional characters or a classical, detached perspective. [5]. Therefore, the story is told by six voices— three female and three male— which [6] presents less of a scene-by-scene chronology of well-plotted events and more of a record of subjective inner states from childhood through old age. These monologues melt into each other, just as the characters seem to. The voices are [7] commenced by nine short, poetic interludes the ebb and flow of a tide from sunrise to sunset.
[8] Woolf was aiming for a musical effect. At [9] it’s best, the novel does indeed achieve a sort of lyricism, set against the percussive backbeat of the rhythm of the prose. There are [10] some, truly ecstatic scenes and entrancing interludes, in the book. However, these delicious aesthetic pleasures require patient, fully-engaged reading. In our modern era— during which art is little more than mere entertainment, designed to be passively consumed— too few readers are trained to give a work this level of attention. The formal experimentation of the book might have limited its reach. [11] That’s a real shame.
Questions
[2] Which of the following options presents the most effective description?
[3] The most logical placement for sentence E is:
[8]Which of the options provides the best introduction to the paragraph?
[11]The writer is thinking of deleting the previous sentence. Should the writer do so?
Commas
Commas probably show up on the test more frequently than any other grammar topic. Luckily, all of the commas used on the test boil down to three basic uses. We'll see commas used to separate items in lists, to mark off dependent clauses, and to connect independent clauses.
Lists
We use commas between each of the items in a list:
I had to buy apples, bananas, and cucumbers.
The test defaults to the Oxford comma, the one right before the and. It’s a good idea to do the same on the essay section, just to be safe.
Colons
Just to be sure, colons look like : (though rarely in huge font and bolded).
Out and about, we’re probably most likely to see colons before lists.
I bought new editions of books by some of my favorite authors: Evelyn Waugh, Oscar Wilde, and Virginia Woolf.
Notice that I bought new editions of books by some of my favorite authors is an independent clause: it could stand as its own sentence. We always need a full independent clause before a colon. Then, the list of authors after the colon explains precisely what I mean by my favorite authors.
Semicolons
First things first, semicolons are the ones that look like ; (just to be sure).
Semicolons, quite simply, go between independent clauses (strings of words that could stand alone as their own sentences). Stylistically, semicolons indicate a closer connection between two clauses than a period does. However, since the two are so similar grammatically, we can always test whether or not a semicolon is in the right place by switching it with a period. If a period works somewhere (adjusting the capitalization accordingly), then a semicolon would work in the same place.
It started raining; I started moping.
After all of that studying, I knew I’d do well on the test; therefore, I was unsurprised when I found out I’d aced it.
Parentheses and Dashes
We use parentheses and dashes to add information to the middle or end of a sentence.
Parentheses
Michael Jordan (who played his college basketball at the University of North Carolina) is widely regarded as the greatest basketball player of all time.
Virginia Woolf wrote several beloved works of fiction and nonfiction (even though women faced countless obstacles to writing and publishing literature during her lifetime).
Apostrophes
We use apostrophes for two reasons: to make contractions and to show possession.
Contractions
This is obviously not an exhaustive list of every possible contraction that humans who speak English could possibly come up with, but, hopefully, it makes the pattern clear.
Several verbs can be combined and contracted with not. For example, do not becomes don’t. We push the two words together, then replace the o in not with an apostrophe.
Pronouns and names can also combine with verbs and be contracted. Hence, she is becomes she's.
Pronouns
A pronoun is just a common noun that we use as a substitute for names to avoid being needlessly wordy by repeating names again and again. Subject pronouns stand in for the person, people, or things performing the verb in a sentence.
I filled the water balloons.
She loaded the water balloons into the catapult.
He ran for his life.
We laughed savagely.
Our parents came outside to see what all the commotion was. They were not pleased.
Who vs. Whom
This is one of the knottiest topics in the grammar section, since people default to who ~100% of the time in casual conversation. Our grammatical ears might not work perfectly here. Even when we use whom correctly, it might still sound a little bit off because we aren’t used to hearing it used at all.
who is a subject pronoun, while whom is an object pronoun.
Who serves the same purpose as I, she, he, we, and they. As a subject pronoun, who is used for the person or people performing the verb.
Who is coming over to study for the test?
Who wants to skip the study group and cover the teacher's car in Post-It notes instead?
Who keeps covering my car with Post-It notes?!
Problematic Possessives
Who’s vs. Whose
Both the contraction of who is and the possessive form of who have a claim to taking an apostrophe, since we use apostrophes to denote possession and contractions.
To avoid confusion, we only use an apostrophe with the contraction: who is becomes who’s. For the possession version of who, then, we just attach an -se, with no apostrophe: whose.
Who’s coming to the study session?
Whose jacket is that?
We conjugate verbs based on number and time: the number of people or things performing the verb and the time it’s being performed.
Yesterday, I went to the Post Office.
Tomorrow, they will go to the DMV.
There are three types of verbs that, in our experience, give students the most trouble: gerunds, past perfect, and present perfect.
Gerunds
Seeing that the triangle had sides of 5, 12, and 13, I knew that it must be a right triangle.
The first clause— Seeing that the triangle had sides of 5, 12, and 13— gives the setting, the condition I was in when the rest of the sentence happened. That second clause gives us the rest of the idea and the primary verb: I knew that it must be a right triangle.
Notice that the gerund (seeing) is in a sentence with another clause that has another verb(knew).
Surprising Singularity
Collective nouns and singular indefinite pronouns can be tricky because they describe large groups of people, but they act as singular units grammatically.
Collective Nouns
The study group meets at lunch.
The team practices at 6pm.
Parallel Structure
According to parallel structure, we should always use the same phrasing for similar ideas within the same sentence.
Danny wants to be a triathlete, so he’s been running, swimming, and biking every day.
Here, we maintain parallel structure by putting each of the verbs in the gerund form (with the -ing): running, swimming, and biking.
Misplaced Modifiers
A misplaced modifier is a description that doesn’t align with the correct noun, the noun it’s actually describing. We tend to let them slide in conversation-- we can usually tell what someone’s trying to say from context clues. In formal English, however, misplaced modifiers are unacceptable. Here are a few examples:
Waiting for the school bus, a dog ran up to me.
After a long morning workout, a glutinous lunch was called for.
Struggling to return home after the Trojan War, Odysseus’s epic adventures have entranced readers for centuries.
Lightning Round
There are a few finicky usage issues we’ll want to just memorize for the test
Then
We use then to indicate cause and effect or to place an event in a chronological sequence.
If you steal the Jade Monkey, then the Princess’s guards will come after you with all they’ve got.
My friend got caught trying to sneak into the Princess’s treasure lair. Then, he was banished from the kingdom forever.
Than
We use than when we’re comparing things.
The Jade Monkey is worth more money than you could possibly imagine.
We also use than to shift focus, as in the phrases rather than and other than.
Rather than stealing the Princess’s Jade Monkey, why don’t you try to find your own?
Insertions, Deletions, and Revisions
The SAT test writers value straightforwardness over all else. Outside of the test, there’s definitely a place for poetic repetition, whimsical wordiness, or sly elusion. Not on the SAT. On the test, we want to phrase everything in the most direct, concise manner.
When we’re adding, omitting, or changing a phrase, our thinking boils down to one overarching idea: we want to make sure that every single word in a passage is adding something concrete to the text.
Introductions
Whenever we’re asked to choose the best introduction to a paragraph, we’ll really just be looking for the answer choice that best matches the information that follows in the rest of the paragraph.
The Life You Save Might Be Your Own
Teddy Roosevelt was the 26th president of the United States. [1] One day, this long-windedness literally saved his life. Before a speech during the 1912 presidential election, TR was shot in the chest. The bullet would have almost certainly punctured Roosevelt’s lung if it hadn’t been slowed by 50 pages of notes for his speech that he was keeping folded up in his chest pocket. Roosevelt survived the assassination attempt and was actually able to give a 90-minute speech (without the aid of his notes).
1. Which option provides the best introduction to the paragraph?
Moving Sentences
The test will sometimes require us to edit for logical flow by moving sentences around within a paragraph. This can feel odd at first because it's probably not something you do with your own writing: hopefully you aren't writing your paragraphs out of order and then trying to reconfigure them at the end to make sense.
Luckily, there will always be a hook that we can use to latch one sentence onto another. Once we find the hook, this type of question becomes reasonably straightforward.
Transitional Expressions
Transitional expressions are words or phrases that connect two sentences or paragraphs and indicate the relationship between the two.
We couldn’t hope to make an exhaustive list of every single transitional expression that exists in the English language— there are dozens and dozens. We will, however, spend some time with examples that show up frequently on the test.
Transitional expressions can indicate that one idea supports another, they can set up contrasts, and they can give us a sense of chronology.
They act as dependent clauses that are usually separated from the rest of the sentence with commas, but they can also appear inside a pair of dashes or parentheses.
Combining Sentences
Sometimes the test writers will have us combine two sentences into one. Typically, the most effective way to combine sentences is to rework any repetitions.
I tried to bribe my French teacher. She was in the process of deciding if my 89.45% in her class deserved an A.
Both of these sentences are talking about my French teacher. We can combine these sentences by merging the references to her.
I tried to bribe my French teacher, who was in the process of deciding if my 89.45% in her class deserved an A.
Word Choice
When we're editing for word choice, we aren't applying strict, universal rules. Instead, we'll be analyzing word choice on the subtler grounds of function, tone, and phrasing.
Function
Oftentimes, we’ll be tasked with choosing between two or more words that have very similar meanings but slightly different functions. Even though two options might mean basically the same thing, one choice will be much more appropriate given the specific context of the sentence.
Practice Questions #1
1. Everyone needs to make sure that they are in class on time tomorrow.
Practice Questions #2
1. Throckmorton and me might never let go of our grudge.
1. I may be the star quarterback on the football team, but my real dream is to be a ballet dancer!
1. The teachers’ students threw them a surprise party.
1. The nurses didn’t know who stole there babie’s candy.
1. I don’t like sand. It’s coarse, rough, and irritating.
Which of the following is NOT an appropriate way of combining these sentences?
Joan Didion has always been well-respected within the literary community for her stark novels and penetrating journalism. [1] However, it wasn’t until she published a pair of memoirs in her 70s that she achieved mainstream popularity.
The first of these personal tales was The Year of Magical Thinking. In it, Didion described her grief after her husband’s sudden death in 2003 in painstaking detail. [A] The late John Gregory Dunne had been her husband for almost forty years. [B] A writer himself, he was the first person Didion showed her work to, [2] since he was also an author. [C]The book is neither an uplifting memoir of overcoming bereavement nor an excessively macabre book. Instead, Magical Thinking is a frank reporting of Didion’s grief written in her trademark style: cool and detached. [D] Didion likens grief to insanity: the magical thinking of the title was Didion’s unreasonable, unconscious belief that she could undo her husband’s death if only she wished strongly enough or performed the right set of rituals. In the book’s most famous incident, Didion is unable to throw away a pair of Dunne’s shoes. What if he comes back and needs them? The book [3] received lots of praise.[4]
[A] While Didion was preparing The Year of Magical Thinking for publication, another personal tragedy struck.[5][B] In 2005, her daughter Quintana died from complications following a head wound. [C] In this book, Didion departs for the linear narrative format that had structured her previous work. [D] The digressive work circles around themes of aging, parenthood, and meaningless. [E] Didion finds no consolation in Quintana’s death; there is no [6] grand illumination, [7] only agonising “twilights that turn long and blue.” [F] This second blow inspired the book Blue Nights. [8]
The Year of Magical Thinking and Blue Nights are appreciated for many reasons. [9]
Questions
[1] The writer is thinking about adding the following sentence:
Didion was raised in Sacramento, a city she would return to many times in her life and in her writing.
Should the writer make this addition here?
[2] How would you change the unnderlined text?
[3] How How should I change the underlined text?
[4] If the writer were to break this paragraph into two, which would be the best place to start the new paragraph?
[5] Which of the choices provides the best transition from the previous paragraph to the one that follows?
[6] Which option is most consistent with the tone established in the passage?
[7] The writer is thinking of deleting the underlined portion. If the writer were to make this deletion, the passage would lose:
[8] What's the most logical and effective placement for sentence F?
[9] Which of the following options provides the best conclusion for the passage?
If the verified facts about Juana Ines de la Cruz’s life were presented in a work of fiction, they might be dismissed as being too outlandish to be true. [1] Born in Mexico in 1651, her parents were a Spanish Captain and a Creole woman to whom she was an illegitimate child. Juana was fluent in [2] several languages by the time she was eight. She was [3] hugely self-taught. She had to [4] be, girls were granted little access to education then. Juana herself was forbidden from entering her grandfather’s [5] library; she had to break in and read in secret.
[A] When she was a teenager, de la Cruz [6]devises a plan to dress as a boy and attend college (which was restricted to young men at the time) in [7] disguise, and her family didn’t allow her to go through with it. [B] She impressed the colonial court so much that the viceroy invited learned men from all over New Spain to visit and test de la Cruz’s knowledge. [C] The 17-year-old Juana aced these impromptu examinations on philosophy, theology, science, math, and literature. [D] Instead, she became a lady-in-waiting to the viceroy’s wife. [8]
As an adult, de la Cruz entered a monastery, eschewing the more traditional path of marriage in order to continue focusing on her studies. [9] Sor Juana ([10] who’s literary career started when she
wrote a poem about the Eucharist at the age of [11] eight— wrote plays, poems, and [12]completed the composition of philosophical tracts. Revelatory works such as First Dream (a 975-line poem meditating on human knowledge) and The Divine Narcissus (a play synthesizing Christian theology and classical mythology) earned her the nicknames “The Mexican Phoenix” and “The Tenth Muse.”
In 1692, however, a friend-turned-rival leaked a private critique Juana had written of a decades-old sermon. This was enough to convince the authorities to take away the liberties that Sor Juana had been granted: she had to stop writing and was forced to sell her extensive library containing [13] no less then 4,000 volumes. She died while tending to plague victims three years later. For 200 years, Sor Juana was lost to history.
[14] Recently, however, Sor Juana has received renewed interest. A 1982 biography by Octavio Paz brought Sor Juana’s story to a mainstream audience. Dozens of critical studies of her work have followed. Collections of Sor Juana’s work have become available in Spanish and English. Everyone who has the pleasure of coming across an anthology of her work [15] is bound to be blown away by the depth of her talent and the breadth of her learning.
Questions
[2] Which of the following options presents the most effective description?
[8] To make this paragraph most logical, sentence D should be placed...
[9]The author of the passage is considering adding the following sentence:
Thus, she became known as “Sor Juana” (“Sister Juana” in English).
Should the author make this addition here?
[14]Which of the following options provides the best transition from the previous paragraph to the one that follows?
[1]
Nobel was born in Sweden and was the son [1]of, famous inventor, Immanuel Nobel. Alfred made a fortune investing in oil refineries and held 355 [2] patents, however, he was most well-known for inventing dynamite. Furthermore, while he was a pacifist himself, his [3] families business ran about 100 armaments facilities.
[2]
Hence, when [4] it thought he’d died, it ran an obituary calling him “the merchant of death.” Nobel was shocked to see his impact on the world put in such stark terms. He committed himself to leaving a more positive legacy. [5]
[3]
In 1888, Alfred Nobel’s brother died. [6] However, some newspapers misreported it as Alfred’s death. [7] Much akin with Tom Sawyer listening in on his own funeral service, Nobel got the chance to see what people would say about him after he died. What he read would change his life.
[4]
Nobel was [8]displaced to devote his time and resources to philanthropy. His most famous attempt to inspire positive change was his endowment of the Nobel Prize, for which he allocated [9]94% of his fortune. To this day, the Nobel Prize is awarded [10] to recipients who have distinguished themselves in physical science, literature, and medicine. Another prize, the Nobel Peace Prize, is given in recognition of those who perform great services in the name of international fraternity. Nobel’s name is now associated with human excellence and international cooperation. [11] As of 2018, 584 prizes have been given out. [12]
Questions
[2] Which of the following options presents the most effective description?
[3]How should we correct the underlined word?
[4]Again, how should we correct this underlined word?
[5]What's the most effective way of combining the two underlined sentences into one?
[6]How would you change the underlined text that follows?
[7]How would you change the underlined text that follows?
[8]How would you change the underlined text that follows?
[9]How would you change the underlined text that follows?
[10]How would you change the underlined text that follows?
[11]Which option provides the best conclusion to the passage?
[12]What is the most logical and effective placement for paragraph 3?
I’ve never cared much [1] in fashion. I’d rather be comfortable [2] then look good relative to some arbitrary, ever-changing definition of “well-dressed.” [3] Nonetheless, my all-time favorite article of clothing was a ratty, old hooded sweatshirt that was worn out at the elbows. It was my favorite [4] color Carolina blue. [5] More importantly, it was almost superfluously [6] soft, it fit absolutely perfectly. I really liked the way it looked, and I loved the way it fit me. [7]
This makes it all the more tragic that I am personally guilt of accidentally destroying my belovèd hoodie one summer. [8] I’d been wearing it even more than usual: in class, at meals, and [9] I wore the hoodie during my nightly basketball games. [10]I wore my blue hoodie almost as much as any other hoodie I owned. [11] In May however it got so hot that I couldn’t wear the hoodie comfortably anymore. I threw it in the back of my car and forgot about it until September, when it was finally chilly enough to justify [12] wearing it again. To my shock, it now had misshapen stripes up and down the back, and it didn’t fit very well anymore. Flung haphazardly onto my backseat, it had been bleached by the sun. Balled up for an entire summer, it had lost [13] it’s shape. I had to remove the hoodie from my rotation. I’ve worn many hooded sweatshirts since [14] then, but sadly, none of them have ever felt the same.
Questions
[2] Which of the following options presents the most effective description?
[3]How should I start the next sentence?
[4]How should I change the underlined phrase?
[5]At this point, the writer is thinking of adding the following sentence:
Three of my favorite basketball players— Rasheed Wallace, Vince Carter, and Michael Jordan— played at the University of North Carolina at Chapel Hill, whose school color is Carolina blue.
Should the writer make this addition here?
[6]How should I correct the underlined phrase?
[7]The writer is thinking of deleting the preceding sentence. Should the writer make this deletion?
[8]Which is the best transition from the previous paragraph to the one that follows?
[9]How should I correct the underlined portion?
[10]Which of the following options best relates the information presented in the pie chart following the passage?
[11]How should I correct the underlined portion?
[12]How should I correct the underlined word?
[13]How should I correct the underlined word?
[14]How should I/we correct the underlined phrase?
Writing Review
This is an overview of all of the writing topics. These pages are just a collection of all of the final Review pages from each of the individual sections. Don’t expect anything more from these pages; don’t expect anything less.
This section is a good thing to look at two or three days before the test. Skim through and refresh yourself on all of the guidelines (you want, say, the rules for using colons on the tip of your tongue on the day of the test). If you see something that you don’t remember very well, it would be a good idea to go back and read through that individual section itself.
Grammar
Commas
Comma questions on the test will task us with correctly placing commas in lists, around dependent clauses, and in between independent clauses.
Lists
We use commas to separate items in a list.
In order to make dinner tonight, I needed to buy pasta, diced tomatoes, cream, and bread.
Dependent clauses
We can also use commas to set a dependent clause apart from the beginning, middle, or end of an independent clause.
First, I left to go to the grocery store.
I realized, however, that I’d locked my keys inside my house.
I had to break in through the window, even though it’s my own house.
Independent Clauses
Finally, we can use a comma and an appropriate FANBOYS to connect two independent clauses that are related to each other.
A policeman saw me trying to smash my window, and he arrested me for trespassing.
Exponent Rules
We aren’t provided with the exponent rules on the cheat sheet that accompanies the SAT Math sections, so it’s best to memorize them.
We use exponents to show that we’re multiplying a number by itself.
x · x = x2
The exponent (the number attached to the top-right corner of a term) tells us how many times we’re multiplying the term by itself. Here, we see x two times, so that gets rewritten as x2. We refer to x, the number being raised to an exponent, as the base.
If we were, say, multiplying 37 x terms together, we’d write that as x37.
Combining Like Terms
When we have the same base and the same exponent, we can add
xa + xa = 2xa
When we have the same base and the same exponent, we can also subtract
5xa - 3xa = 2xa
Proportions
Question
Erliss got a new job at a law office. Her main duty is filing memos. She can file 15 memos in 30 seconds. If Erliss is able to maintain this pace, how many memos will she be able to file in four minutes?
If Erliss is able to work keep filing memos at the same speed, then the number of memos she files in 4 minutes should be proportionate to the number she could file in 30 seconds. The relationship between memos and time should stay the same. We can solve this time of question using a proportion:
It’s helpful to verbalize the proportion, to put into words what goes into each part of each fraction. Maybe 70% of the time that students get proportions questions wrong, it’s because they accidentally flip one of the proportions. If we write out what each part of the fraction is supposed to mean, it’s easier to check ourselves and make sure that we have memos over seconds for each part of the proportion.
Equations
We calculate the value of a variable by getting that variable alone on one side of the equation.
Question
43 = 6x - 5
What is x - 3?
We’re going to need to get x alone on the right side of the equation.
To get rid of the - 5 we add 5 to both sides. We always do the opposite function of the original when we’re trying to get rid of a number.
To detach the 6 from x, we’ll divide both sides by 6. Originally, we were multiplying 6 and x, so the opposite function is division. When we do something to one side of the equation, we also have to do the same thing to the other side.
Remember, however, that the question asks us to find x - 3.
The test writers love to throw in these little side tasks to the end of questions. We don’t just find the value of the variable itself; we have to plug that into some other expression. Be very careful about what questions are actually asking— the test writers will always put 8 as one of the distracting answer choices.
Functions
f(x) = 8x + 3
This equation might be read as “the function of x equals 8x + 3.” The f(x) just means that we’re plugging in x for the variable to find the value of the function, f.
This gets more interesting when we’re asked to plug something else in for the variable.
Here, f(6) means that we’re plugging in 6 every time we see the variable
We can plug plenty of other terms into the function beyond integers.
We could plug in another term involving x itself.
We handle 3x the same way we dealt with 6.
Linear Equations
A linear equation that we graph on the (x, y) coordinate plane models the relationship between x and y.
Let’s say that we’re given the equation y = 2x + 2. We could plug in any value for x and calculate the corresponding value for y.
Let’s say x is 1.
When x is 1, y is 4.
We can write this relationship as an ordered pair: (1, 4). We always write ordered pairs in the format (x, y).
Let’s say x is -2.
When x is -2, y is -2.
This could be summarized in another ordered pair: (-2, -2).
What if x = 0?
When x = 0, y = 2
This gives us the ordered pair (0, 2).
Quadratic Functions
Quadratic functions model the relation between x and y when we have an x term raised to the second power (x2).
Let’s play around with the function y = x2 - 4x + 3.
When x = 0…
y = (0)2 - 4(0) + 3
y = 0 - 0 + 3
y = 3
Let’s plot this point.
Factoring Practice
We pull the solutions— a.k.a. the zeros— for quadratic functions out of the factors. The factored form restates the function as a pair of parenthetical binomials.
For example, the factored form of the equation…
...is…
If we were to multiply the factored form of the equation back out, we’d arrive back at the original function.
When we multiply two parentheses like this, we want to be sure to multiply every term in the first parenthesis by every term in the second.
When we put this all back together, we have…
Combining our like terms leaves us with…
When we factor, we’re reversing this process. We’re looking for the terms to put inside our parentheses which multiply back out to our original function.
For the sake of convenience, we usually filter quadratic functions into an ax2 + bx + c template.
Factoring is usually a matter of finding the integers that will add up to b (3 + 3 = 6) and multiply out to c (3 · 3 = 9).
Quadratic Formula
A few times per test, we’ll be given quadratic functions that don’t factor out nicely. In those cases, we’ll have to use the quadratic formula.
There’s no convenient way to factor this function:
No numbers that multiply to -2 add up to -4. Hence, we’ll use the quadratic formula.
y = x2 - 4x - 2
To plug our equation into the quadratic formula, we’ll have to put it into the template ax2 + bx + c.
The number in front of the x2 is a.
The number in front of the x is b.
The integer is c.
a = 1
b = -4
c = -2
The quadratic formula allows us to solve for x.
We start by plugging our values for a, b, and c into the formula.
This gives us...
...which simplifies to...
Systems of Equations
6x + 3y = 9
2y - 2x = 12
What is the solution to this system of equations?
To see what’s going on here a little bit better, it might help to rearrange the equations.
Both equations involve x and y, so we can make them into linear equations. We just need to get y alone on the left side.
We subtract 6x from both sides.
Then we divide both sides by 3 to get y alone.
This gives us the line...
We can do the same thing to the second equation.
We start by adding 2x to both sides.
Then we divide 2 from both sides to get y alone.
This gives us the line.
Inequalities
The sign for an inequality always opens up to the larger number. In other words, the big side of the inequality points towards the bigger number, while the small side of the sign points at the smaller number.
The ≤ sign means less than or equal to.
This inequality tells us that y is less than or equal to 7. Y could equal 7 or 6.2 or -1,000,000.
The ≥ sign means greater than or equal to.
This inequality tells us that x is greater than or equal to 113. X could equal 113, 128, etc.
Exponential Growth and Decay
When a function increases or decreases linearly, it goes up or down with a constant slope. It travels in a straight line.
On the other hand, when a function exhibits exponential growth or decay, the function increases or decreases at a ballooning or shrinking rate. The function will curve up or down when it’s graphed. Exponential growth and decay occur when the exponent itself is a variable— this is where I get the name from.
I
i is an imaginary number. It’s the square root of -1, so i2 = -1. i is an imaginary number because it breaks our rule stipulating that when we square a number the result should be positive.
i shows up on the test somewhat sparingly. Some i questions will have us use i as a constant, almost like it’s an x.
(6i - 3) - (2i - 5)
We can only combine like terms. We can only subtract 2i from 6i and -5 from -3.
Putting our results back together, we get
Circles
We don’t need to worry about memorizing the circumference or the area of a circle formulas: they’re provided on the SAT cheat sheet at the beginning of each math section. If r stands for the radius, then...
Circumference = 2πr
Area = πr2
Let’s say we have a circle with a radius of 3 inches.
Triangles
The perimeter of a triangle is the sum of the length of each of the sides.
The area is the average of the base and the height.
The height is not just the length of one of the vertical sides. The height is the shortest distance from the base to the opposite angle. In this case, the height is
The angles inside a triangle add up to 180°.
Missing Angles
The angle measure on either side of a straight line is 180°.
If we draw another straight-line intersecting with this one, we’ll form 4 new angles.
Every pair of consecutive angles formed by this intersection will be supplementary: they add up to 180°.
If, say, ∠1 is 60°, then we know that ∠2 will equal 120°. Then, since ∠2 is 120°, ∠4 has to be 60°. If ∠4 is 60°, then ∠3 has to be 120°.
Notice that our non-consecutive angles are congruent: they’re exactly the same. ∠1 and ∠4 are both 60°; ∠2 and ∠3 are both 120°. These are also known as vertical angles. We can count on them to always be congruent.
3D Shapes
We don’t need to waste any time cramming all of the three-dimensional geometry formulas into our brains: they’re all given to us on the cheat sheet at the beginning of each Math section. Usually, all we have to do is plug in the dimensions that we’re given into the appropriate formula.
If we’re asked to find the volume of this cylinder…
… all we have to do is plug the dimensions that
we’re given into the cylinder formula: V = πr2h.
The radius (r) is 5 and the height (h) is 10, so...
We usually write this as…
Probabilities
When we’re tasked with finding probabilities, we’ll use the general formula…
Below is a chart of the number of hours of homework that Upfish had each night this week.
If an evening is chosen at random, what is the likelihood that Upfish didn’t have any homework to do that night?
Here, our target group is the evenings when Upfish was lucky enough to have no homework to do. This only happened Thursday.
target group = 1 night
The entire population is the whole week.
entire population = 5 nights
Putting these two numbers together, we find the probability of Upfish having no homework
Mean
The mean of a set of data is what usually refer to as the “average” in casual conversation: your test average in English, a basketball player’s average points per game, etc.
To find the mean, we add up all the data points (your scores on each of your English tests or the player’s point totals from each game) and divide that by the number of events (the number of English tests or the number of games).
Statistical Designs
A few questions on the test will require us to analyze surveys and experiments. We won't have to actually calculate statistical measurements: z-scores, margins of error, confidence intervals, etc. Instead, these questions will test our general statistical literacy.
What can we conclude from a given survey? What makes an experiment flawed? How can we avoid bias? What does a certain distribution of data indicate? These are the types of questions we'll be answering.
Word Problems
Word Problems can be intimidating. They’re just a block of— usually very boring— text. It can be hard to know where to even start sometimes.
A lot of times, students will read a word problem and then power their way to an answer using some combination of mental math and guess + check. However, even the best mental mathematicians will find that some questions on the test are designed to be so complicated that they’re impossible to do in their head.
One way that we can solve even the most convoluted word problem is by translating it into an equation.
1. Upfish is in the process of raising his GPA. In his efforts, he’s realized that he improves a certain amount each quarter. He’s written an equation to show what his GPA (represented as g) will be any number of the quarters (represented as q) in the future. His equation is g = .2q + 3.2. What does the .2 in the equation represent?
1. My devious cousin Throckmorton is posted up at his local coffee shop. He’s sitting at a table set with two chairs. However, whenever anyone asks if he or she can borrow the second, seemingly-unused chair, Throckmorton refuses, saying that he’s actually saving it for a friend. He isn’t. He likes to have the second chair there so he can rest his feet on it. Throck is going to spend four and a half hours at the coffee shop. If someone asks him to borrow the extra chair every 18 minutes, how many people will Throck end up refusing?
1.
Which of the following is necessarily true?
1.At her old company, Erliss was paid $500 a week plus a 20% commission on all her sales. At her new company, she is paid $300 a week but gets a 40% commission on all her sales. If we use S to represent the amount of merchandise that Erliss sells, which inequality represents the amount of merchandise that Erliss has to sell per week in order to make more at her new company than she made at her old company?
1.On his first three Spanish tests of the semester, Upfish scored 95, 85, and 90. He scored exactly 90 on each of his final three tests. Which of the following measures decreased because of Upfish’s fourth, fifth, and sixth test?
1.2y + 10x = 4
Which of the following lines is perpendicular to the line given?
1.
What is one solution for b?